I was born in Baltimore. I've always struggled with the
question "Where are you from?", but I suppose it all started
for me there. My grandparents lived in Bel Air and Severna
Park. In Severna Park, they'd been Marylanders for generations.
My great-grandfather built yachts for Presidents when Baltimore
was still one of the great boatyards of the world. My grandfather
who married his daughter was a bit of an upstart: his father
was of older stock but his mother was a first generation
American who parents had fled Bismarck's impostition of the
Zollverein across hitherto independent German states in a
time when Deutschland referred to a region rather than a
country.
In Severna Park my grandparents kept a servant, Willie May.
She was probably called negro, colored and black over the
course of her life, but I just knew her as part of the family.
The most resiliant part of her legacy over the years has been
her chicken recipe, which my own wife (who never met Willie
May) has even prepared. There's something inherently African
about the chicken in a strange way. Even though it's origins
are in Southeast Asia, the chicken became a basic meat staple
after history started being recorded in most places. The Old
Testement doesn't mention the bird once, but it figures
prominantly at the start of the new. Chickens and their bones
also feature in many a Carribean Voodoo ritual descended from
African magical traditions.
V. S. Naipaul's Finding the Centre is a familiarly
American tale, in the same vein as Mark Twain methinks. His
description of exploring his immigrant hertitage as an East
Indian who grew up in the West Indies is incredibly familiar
to me and probably any other American, North or South, who has
delved into genealogy. So many cultures thrown together in a
mish mash over the course of history. Alexander Hamilton too
was a product of the British Caribbean. Like one can really
understand the difference between the Spanish culture and the
Germanic contribution in those few scenes of Graham Greene's
The Power and the Glory when the protaganist finds
himself on a homestead in Mexico.
It's easy to forget the African component to what makes us
Americans. So many Africans were brought here as slaves and
stripped of their identity and their culture. But, nevertheless,
those things persisted. Ideas are hard to kill. I still
remember visiting Salem, Massachusetts with young Alora &
Brittan and watching a reënactment of the witch trials.
The role of Africans and their ideas about magic were pivotal
in seducing those young girls to betray their elders.
Naipaul's ancestry was Indian, but, like myself, he was several
generations removed from the immigration event. He grew up in
Trinidad and the "Prologue to an Autobiography" explores how
he learned about his past as a child and then in several
stages of his adulthood. Much like I visited the obelisk
raised to my ancestor Hallvard Graatop, Naipaul explored the
archives of the newspaper in Trinidad his father wrote for and
delved into the story of where his family came from in India.
Persuit of one's past ever teaches us about ourselves.
The second half of Naipaul's book explores the slow failure of
a former French African colony. While Naipaul gives us no Hindi
he is more than happy to pepper this section with French. Echos
of the British Raj and 1066 in a single book! It is fascinating
to see him repeatedly perplexed that Africans count him as a European
despite his dark skin similar to theirs. As if Indo-european
was some culturally appropriative fiction. Also fascinating is
his empathy for fellow Caribbeans whose naivité was
exploited by the Africans. One really gets a sense that America
has made something new out of the black people as well as the
white.
While he's been an author on my to read list for some time now,
I didn't realize how much I'd relate to Naipaul. In Severna
Park the room I used to stay in had a National Geographic
map of the Caribbean on the wall. For me at the time it was
all Crusoe and Blackbeard. I've since seen the coast of
Honduras and studied many of the islands. But Naipaul's writing
adds a familiarity. I'll definitely
be seeking out more of his work and I hope his fiction is as
good.
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